How to DJ: A Step by Step Guide to DJ Mix Music Tracks
Jan 25, · You can use a simple program like Audacity to record and make small edits to your mixes. Simply plug your mixer into your computer, open audacity and start recording. When you've mastered mixing you'll be able to make mixtapes to promote yourself as a DJ. But don't start handing mixtapes out until your mixing is perfectly on point. Feb 11, · Priced at $, rekordbox DJ is slightly more expensive, but its big selling point is that tracks analysed and prepared in its library are also ready to go for use with Pioneer CDJs, which are the industry standard in clubs. rekordbox DJ also features an Auto-Mix feature, which can automatically select tracks, sync them up and blend between them.
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Process for Recording a DJ Mix
Aug 18, · How Do You DJ Songs? 1. Choose a song. You can start by choosing two music tracks that are of similar style. You can either choose two house, trance or techno tracks. The 2. Load two tracks into your decks. Load the tracks and have your pitch faders set . You can either use a DJ software and mix live with your mouse which is hard and bad if you want a career as a DJ or use Ableton and make everything you want there like most of DJs do for their podcast. If you want to be a DJ and if you are ready to invest, then I recommend you getting Traktor S2 controller. Unlock DJ tools (DJ level 1) > 30% discount! Download the desktop app (DJ level 2) > 50% discount! With the desktop app, you can: mix your mp3 files. - save your mix on your computer! - mix offline.
Ready to learn how to DJ mix like a pro fast? This post tells you everything from beatmatching to some of the best mixing hacks! Buying your first set of shiny new decks can be really exciting! And when they arrive in the post you'll be eager to plug them in and crank up the volume so you can learn how to mix.
DJ mixing involves having two tunes playing at the same speed so you can move smoothly from one to the other. One of the first steps in learning to DJ mix, is to learn the art of beatmatching. If you don't know already beatmatching involves matching the tempo of two different songs so that they hit key points at the same time.
As you go more into DJing though, you'll discover there's much more to it than just matching beats! When new DJ's learn how to mix, most don't take the time to understand how music is made. But you need to know certain things, like what makes two tracks fit together perfectly.. Knowing where you need to drop that first beat on the second track is just as important as beatmatching.
And what about EQing to get the perfect blend? If you don't get these things right you'll end up with a mix with harsh transitions that instantly kill the vibe of the crowd. But get it right, and all of your mixes will flow perfectly from track to track. In this guide, we'll show you how to set the EQ's these are the bass, mid, and treble settings on a DJ mixer and how to set the right volumes to keep your levels consistent.
What if you don't have the necessary equipment yet? When you're first learning how to mix it's best to chose two music tracks that are of a similar style like house, trance, or techno. You'll find each genre of music will usually be built around a similar bpm beats per minute. So choose two tracks from the same genre to start with. When I started DJing I was using vinyl, so beat matching was a bit trickier than some of the options available today. But whether you're learning how to mix digitally, with CD's, or with vinyl, they all use the same principles.
Most beginner DJ's like the idea of having two separate decks in front of them. So we'll assume that you're using stand alone players for most of this tutorial. We'll add in a few digital software tips too, but the general technique is the same. Firstly you'll need to get two tracks loaded into your decks and have your pitch faders set to 0.
Although the songs will be from the same genere, you'll notice that the tracks have different bpm's. For example one might be bpm and the other bpm.
The bpm counters on your player will give you a good estimate of the BPM but the best DJs know how to sync the songs up by ear alone. And you'll find that if even if you match them both to bpm they probably won't sound perfectly matched.
This will also be the same with DJ controllers etc. So some manual beatmatching using your headphones will be necessary.
If you don't have high quality headphones yet, check here for our guide: Best headphones for DJs. The mids and highs will sound crisp and clear while delivering tight low frequencies".
The purpose of the headphones is to let you as the DJ work in private without interfering with the master output. So any changes you make to the channels that aren't playing out loud will only be heard by yourself through the headphones. This is why you'll see DJ's with one headphone on and another off. They're listening to one beat through their headphones while trying to match it up with the existing beat. This is known as headphone cueing which basically means you're getting the next track ready for mixing.
You will have to work to get the two records playing in time with each-other by moving the pitch control on the deck up or down. Working out whether you need to slow the record down or speed it up will seem tricky to start with. In the beginning it's hard to figure out which track is playing faster.
If you have a mixer with a mini headphone crossfader or cue mix you'll find it useful for this part. Fading the one record out slightly can help you to work out which way to go. While you are working to get the records playing at the same speed you can give the tune a push to keep it in beat using the jog wheel. If you're using vinyl you can use the centre spindle to nudge the beat, or lightly touch the platter to slow it down.
With a little practice you will soon be able to move the mixer's crossfader to the centre. If you hear both tunes playing in perfect time you're on the right track. Bear in mind that eventually; tracks will almost always need a slight nudge to keep the mix in beat during the transition, no matter how good the beatmatch is. Work out which way it will need nudging before starting the mix and as you progress you'll be able to gently nudge the beat before it actually drops out.
For those using DJ software , beatmatching can be done using the sync button. This function changes the speed of the selected track to get them both playing at exactly the same BPM and ready to mix. Remember though, that even the sync button isn't always perfect and tracks may still need some adjustment. There is also a nudge function that allows you to move each track forwards or backwards slightly.
This allows you to get the correct beats lined up. One way you can doublecheck if you have the beats lined up properly is by looking at the parallel waveforms on the screen. If you have the quantize option this will snap your beats together and keep them aligned.
This is the best way of keeping the mix on point for as long as you like without having to adjust the beat. The sync and quantize buttons are pretty good and work most of the time. But it will be hit or miss with certain genres of music like drum and bass. This is why it's good to learn manual beatmatching by ear, and don't become dependent on these functions.
You should also look ahead to where you want to be in the future. If you're goal is to play at bars and clubs you will be using unfamiliar equipment. Some bars use old or cheap equipment and some of this gear may not have sync options, so you will need to be able to beatmatch your tracks manually.
Knowing where to drop the first beat of the second track is done by counting beats. This is just as important as beatmatching when learning how to mix. There are four beats to each bar and everything goes in four bar phases, or multiples thereof. If you count the beats you will soon understand when you need to drop the second track. But as a guide, while the first track is playing you find the first beat of the second track.
You drop that beat right at the beginning of the bar in the first track. Usually after what's known as the break in the track. The break in a track will usually happen at 16 or 32 beats. Most tunes change every 16 or 32 beats making this the perfect point to fade into your new song. Hitting this transition part correctly is key for a good mix. Sometimes there is a small bar break before the beats resume and this is where you'd start counting from 1 again.
This is also why you should get both tracks in line, so both of the tracks beats break at the same time. This makes the mix sound clean and everything flows together perfectly. And you'd normally drop it where there is a long instrumental part , where you can easily mix in to the next tune. If the track doesn't have long instrumental sections you may be able to set a loop.
If your equipment has a loop function this is very simple to do with the touch of a button. So now you're dropping your beats in the right place and your beatmatching is perfect. Once you get this right your mixes will instantly seem to flow and fit together a lot nicer. But your mixes still won't sound perfect until your EQ settings are right. As you bring the crossfader across you'll probably hear the two bass-lines clashing which can sound horrible.
There can sometimes be nothing worse than a doubled up kick-drum. T he kick drum is the underlying boom-boom-boom that resonates throughout the track. It's often the loudest volume element in each track. Which means if you don't sync up the kickdrums of each song - you're in for a rough transition.
This can be resolved by changing your EQ settings, these are the low, mid, and high knobs that are in-line on each channel of your mixer.. This is an important thing to get right as you learn how to mix, but it's often ignored by beginner's and even many experienced DJ's. You should form a good habit of EQing every track during the learning process so that it just happens naturally. The simplest way to EQ a mix is to kill the bass on record two completely as you're bringing it in.
This is the first method to learn and is the most popular method amongst DJ's. So on a standard mixer with a three band EQ you'll just be bringing in the mids and the highs. With a more aggressive mix you can bring in track two with no bass. You then wait for the break in both tracks and switch the bass from track one to track two instantly. This is known as switching basslines. Switching basslines can sound really awesome but it doesn't work with everything. You may also be able to slowly increase the low frequency on track two, but this depends on the genre of music.
As you're doing this you slowly decrease the lows on track number one to get a nice blend.